• Features,  Interior Design

    Tête-à-tête with Vyna St. Phard

    Vyna St. Phard
    Illustration: Damian DiCarlo

    What inspires you in your work?

    The obvious answer is nature. However, great design shouldn’t be overlooked. I’ve spent decades attending, and participating in high-end furniture fairs both in the US and abroad, observing people and the objects that affect their lives, and how they respond to them in the most meaningful way. Great design is a powerful tool, and so are places, photography, and the sheer beauty of nature. The eye is trained not only on the awesomeness of well-designed spaces, but it is also drawn to the importance of architecture, art, culture, travel, and fashion.

    Do you often work with artists for your interior design projects?

    Absolutely. An art-filled home is something that I value a great deal, and there are a lot of modern to contemporary artists that we collaborate with. Since we do a lot of customization for our private clients, working with artisans has proved quite advantageous because that allows me to design furniture pieces that are detailed oriented, comfortable, and aesthetically pleasing.

    How do you describe your style?

    A mix of vintage design with an elegant laid-back feel. Don’t get me wrong, I love the extraordinary, however, ostentatious interiors are not what I am known for. I like the mid-twenty-century canon for the optimistic way it registers with people even in the 21st century. I constantly question, and see the value of why a curated style, textured fabrics, and wallpapers, mixing the high to mid-level designs bring out the best personality, emotion, and experience in a client’s home.

    Since I know that you are bilingual in French,  what’s your go-to French word(s) – if any?

    The Grand-Hôtel du Cap-Ferrat … The most beautiful words in the French language.

    This article originally appeared at www.vynastphard.com.

  • Design,  Features,  Interior Design

    MODERNISM IN DESIGN

    MODERNISM IN DESIGN

    Can modernism in design be reached by following the evolving landscapes of design gurus and social media influencers? It’s not for us to judge. So perhaps the even better question is: what is modernism in design?

    Modernism in design is all about escaping the fripperies of old-world design. And by that, we mean pre-war design. The modernist approach is to constantly highlight the clean lines and functionality instead of the embellishments that exaggerate the form when it comes to decor. Following the philosophy of form and function is our approach to modernism in design.

    A Parisian apartment, clad with Larsen textiles, while a Platner coffee table takes center stage. Photo courtesy: LARSEN
    A Parisian apartment, clad with Larsen textiles, while a Platner coffee table takes center stage. Photo courtesy: LARSEN
    Kurt Schwitters, Für Tillyr, 1923. Photo courtesy: CHRISTIE'S
    Kurt Schwitters, Für Tillyr, 1923. Photo courtesy: CHRISTIE’S.
    Modernism in Art: Jean Arp, Reveil, 1938. Photo courtesy SOTHEBY'S
    Modernism in Art: Jean Arp, Reveil, 1938. Photo courtesy SOTHEBY’S.
    Modernism in Architecture: Montecito, California, 2014
    Modernism in Architecture: Montecito, California, 2014.
    Jean Royere, armchair, circa 1954. Photo courtesy: SOTHEBY'S
    Jean Royere, armchair, circa 1954. Photo courtesy: SOTHEBY’S.

    This article originally appeared on MAISON VSP

  • Features

    Storytelling: An interview with New York-based artist Victor-Raul Garcia

     

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    HIGH END WEEKLY™: What are your working process, the materials, and techniques that you use?     

    Victor-Raul Garcia

    VICTOR-RAUL GARCIA: I have to be in a good mood to work. There is no other way for me. Once the mood is confirmed, I first rifle through loads of visual stimuli for inspiration, such as editorial photography, antique portraits, club kid wear, etc. Next, I choose colors, whether it be acrylics, spray paint, or oil pastels. Then tools… the fun part! I mostly use palette knives, contractor tools, and squeegees, but I have also used swimming pool noodles, mops, and large drafting rulers. Finally comes the painting part. With iPod on full blast, I grab a tool in each hand and start doing backgrounds with fast and thick sweeps and mix colors as I’m doing that. Afterward, the painting tells me where to go, and that’s the last thing I remember. It’s true. Something leads my hand, and I get lost in the zone until the painting tells me it’s done. By the way, I never use a paintbrush (only for dotting “I’s” and crossing “T’s”!).

    HIGH END WEEKLY™: Please share your thoughts about your color choices when it comes to your work.

    VICTOR-RAUL GARCIA: Bold and vivid colors are the driving force to my color compulsion. Personally speaking, there is no better way to express passion, fury, delight, and confusion. There is no better rush than the release of dopamine while you create characters and personalities in color. We are all made up of powerful energy and a color spectrum of light, so I must consider those intensities when I give my paintings life.

    Victor Garcia, Elvis, Vegas, ’71

    HIGH END WEEKLY™: When you see an abstract work, whether it be landscapes or portraits, what speaks to you the most?                                                                                                                                  

    VICTOR-RAUL GARCIA: I would say the subject matter and balance. Whether explicit or implicit, I enjoy taking the work in as a whole objectively and then zooming in subjectively for this story’s source and underlying details. As for balance, I favor works that make sense and order out of chaos.

    HIGH END WEEKLY™: Can you share some examples of the great masters of the past and how they inspired your artwork today?

    VICTOR-RAUL GARCIA: Robert Rauschenberg, John Chamberlain, and Gilbert & George. The first is his understanding of the human condition and telling a story based on the complex layers of our thought processes, puzzle-solving and social conscience. Secondly, Mister Chamberlain literally bends reality and does so while taking recycling to the next level; each sculpture is a personality of its own. Finally, Gilbert & George – the dynamic duo’s firework display of color sets the tone on how storytelling can change our lives.

    Victor Garcia, Givers and Takers, 2021

    HIGH END WEEKLY™: Why do you think more and more people are collecting art, specifically abstract art, for their homes and as an investment for the future?                                                              

    VICTOR-RAUL GARCIA: I will answer this question on my own reasons for painting abstractly. My childhood was very violent and menacing. I needed to escape the reality I was dealt with, find safety, hope, and a defense mechanism. I would scribble hard and wildly as a silent roar. Today I don’t have that anger or sense of trauma. BUT painting is still an outlet for me to express my multilayered self. So back to the question, I believe people need that same sort of emotional release with visual stimuli since nothing is static anymore. When Kandinsky pioneered abstract painting over a century ago, it observed how people felt during the dawn of modern technology. Fast forward now, and we are on system overdrive. We are bombarded with information, fast deadlines, and quotas and produce, produce, produce. Most people favor abstract art over representational art because it taps into their emotional time bombs, and they can see everything they feel. I believe abstract art makes a personal connection and justification for the viewer for all that is non-physical in their day-to-day lives while being transported to another reality.

    HIGH END WEEKLY™: Which of the pieces in your latest body of work are you most proud of?

    VICTOR-RAUL GARCIA: This will sound like a total contradiction after having confessed to my obsession with color, but I would have to say my large-scale black/white painting titled “Come out, Come out, Wherever you are” from the summer of 2020. It depicts a god-like creature wreaking havoc with floods and storms, leaving one structure intact. This leviathan represents all the unknown, the invisible, and the intangible that the pandemic was and still is for us. Personally, the pandemic triggered many a term from my former Catholic faith, such as plague, punishment, judgment, firstborn, personal demons, etc. The house left standing represents the force field in which I surround myself daily to deflect doubts, fears, thoughts of helplessness, and bad neighborhoods in my mind. While the pandemic has battered me emotionally and psychologically, in the end, my hope, resilience, and need for an appreciation of the simpler things in life was reinvigorated.

  • Features

    Insider view of the 2020 Kips Bay Designer Showhouse in Dallas

  • New Website
    Features,  Interior Design

    It’s all in the details folks!

    New Website
    Say hello to our updated website

    Vyna St. Phard Interiors had a facelift!

    Take a look inside of our new features, which include a complete list of our services,

    and news of our upcoming online store, WOODLOSOPHY.

    Cheers to the weekend!

    VSP

  • Picnic
    Features,  Lifestyle

    How to Prep for the Perfect Picnic

    Hyland Park, Dallas, TX
    Hyland Park, Dallas, TX, June 2020

    Since the heat has been getting higher and higher in Dallas, during the last few days, I can safely say that summer is well and truly here. While enjoying the longer days that this season has to offer, I started to entertain a few ideas on how to plan for the perfect picnic. 

    For The Love of Nature

    When I was single, I enjoyed planning elaborate picnics with menus that were a feast to behold. Nowadays, I love the chic and simple picnics. Whether I am with my husband or joined by a few friends with bags of salads, plates, silverware, and beverages we can all enjoy, I found that a picnic is a good time to put down the phone, take out the earbuds, and have some of the best conversations of my life, while surrounded by nature.

    The Importance of a Picnic

    Giving the sudden shift that came with the global pandemic, now more than ever, we see the benefits of spending time outdoors – yes, picnicking can possibly improve our physical health. Breathing in fresh air is beneficial for respiratory problems like asthma. And just think, a lovely picnic on a bright summer day also aids in vitamin D and calcium absorption. Who doesn’t need that?

    What sort of food should you pack for a picnic? Prepping for a successful picnic should take little time and effort. You can obviously make it as fancy as you’d like, but the importance of keeping things simple is a good start for an effective picnic on the lawn. Besides packing a light fare, don’t forget some fresh fruits, your favorite desserts, and of course, the champagne! Adding some activity, like a board game, a great book to the mix or some of your favorite sport will work up your appetite. For my picnics, I like to serve sandwiches, French pâtés, salads, Scotch eggs – all the finger foods that travel well. Some of my friends prefer baguettes with salami, spinach, basil, pesto, and mozzarella for a mouthwatering bite. 

    Whatever sorts of picnic you choose, remember to make it as special as possible, as memorable as you can, and keep it safe.

  • Features,  HEW Hotels,  Interior Design

    8 Best New Hotels in New York City

    NoMad New York City, New York indoor Living room ceiling interior design furniture café living room restaurant Lobby window interior designer area wood.

    THIS STORY ORIGINALLY APPEARED ON www.jetsetter.com.

    WRITTEN BY SIOBHAN REID

    8 Best New Hotels in New York City

    The hottest new hotels in NYC offer everything from nightclubs to celeb chef restaurants and private art collections. Read on to find which ones we’re checking into this summer.

    NoMad New York City, New York indoor wall floor room bed ceiling bed frame interior design Architecture Bedroom home window mattress furniture loft daylighting interior designer Suite hotel

    NoMad New York City, New York floor indoor room interior design window Living furniture wooden living room table flooring Lobby café loft interior designer wood area
    Photos courtesy of MADE

    MADE

    In September, the NoMad district will see yet another hotel opening with the debut of MADE, the first hotel project by hospitality entrepreneur Sam Gelin. LA-based design studio MAI is behind the earthy-meets-modern interiors—all hand-carved benches, polished stainless steel surfaces, exposed bronze light fixtures, and hand-woven fabrics. And the bold look extends to the 108 guestrooms, which have concrete and wood surfaces, floor-to-ceiling windows, and bathrooms with hand-painted wall tiles and carved stone sinks. A lobby bar pours espresso drinks during the day and cocktails at night, and there’s also a restaurant and rooftop slated to open early fall.

    The James New York - NoMad New York City, New York wall indoor table room furniture interior design lighting accessory living room lampshade chair home Suite coffee table product design lamp light fixture floor window flooring

    The James New York - NoMad New York City, New York wall indoor room sink bathroom tap plumbing fixture interior design furniture bathroom cabinet Suite floor ceramic bathroom sink product bathroom accessory

    The James New York - NoMad New York City, New York indoor bed wall floor room ceiling property Bedroom real estate interior design scene home Suite window hotel

     The James New York – NoMad

    NoMad’s culinary scene will only get hotter when The James New York-NoMad officially opens this fall, inside a historic Beaux-Arts building on Madison and 29th Street. The luxury 344-room hotel will be the site of award-winning restaurant Scarpetta—which is known for inventive, seasonally-driven fare and unmatched service— along with a soon-to-be-announced cocktail bar concept. Upstairs, guestrooms feel like urban sanctuaries, thanks to expansive glass windows, contemporary art by local artists, spacious bathrooms, and thoughtful details like yoga mats and in-room pantry filled with local snacks.

    1 Hotel Brooklyn Bridge Brooklyn, New York sky leisure swimming pool outdoor property condominium Villa apartment

    1 Hotel Brooklyn Bridge Brooklyn, New York ground food rock dish wood produce material baking cuisine eaten

    1 Hotel Brooklyn Bridge

    Never in Brooklyn has a hotel had as much buzz as the 1 Hotel Brooklyn Bridge (and yes, it might be bigger than The Wythe). Here, you’ll find a certain tranquility often lost in urban hotels, thanks to its waterfront address by Brooklyn Bridge Park. Rooms are luxuriously spacious and bring in the borough’s eco-conscious sensibility with moss gardens, hemp-blend mattresses, a color palette defined by textures and materials rather than paint or wallpaper, and hour-glasses that time your showers. Living walls in the lobby create the ideal retreat from city life, a rooftop bar with fire pits and a lounge pool is the neighborhood’s hottest summer hangout, and floor-to-ceiling window views of the Brooklyn Bridge, the city, and Lady Liberty mean you’ll never have a bad view.

    PUBLIC

    PUBLIC is the latest hospitality venture from hotelier Ian Schrager, founder of mythical 1970s nightclub Studio 54 and the man credited with creating boutique hotels. Given Schrager’s reputation as an industry disrupter, the hotel’s luxury-for-less concept—which does away with traditional amenities and services (think: doormen, bellhops, room service) —should come as no surprise. What to expect instead: sleek, sexed-up interiors, a Jean-Georges Vongerichten restaurant, a basement nightclub, three bars, and 367 minimalist rooms.

    The Whitby

    The first stateside outpost from witty British brand Firmdale, the Crosby Street Hotel has made many a top 10 list—but The Whitby, its much-awaited follow-up in upper Midtown, does it one better. Expect the same Firmdale flourishes, from the colorful mash-up of intricate Kit Kemp patterns and paisleys on headboards, walls, armchairs, and rugs (a refreshingly bold departure from the city’s overuse of neutrals) to oh-so-English corners including a drawing room for afternoon tea and a library. There are plenty of indulgent extras, too, including a 130-seat theater and an orangery attached to the restaurant.

    The Williamsburg Hotel

    This hipper-than-thou Brooklyn neighborhood has been booming lately thanks to a crop of new hotels, including The Williamsburg. The industrial-chic bolt hole is all steel, brick, and glass on the outside, while on the inside, 150 loft-like guest rooms have white-washed timber walls and brass fixtures, not to mention floor-to-ceiling windows that open onto balconies overlooking the city skyline. But the real jaw-dropper here is the over-the-top amenities: a chauffeured tuk-tuk, a veggie-centric restaurant, a rooftop pool, and three watering holes, including a subterranean lounge and a secret cocktail bar hidden in its water tower.

    50 Bowery

    This new 229-room boutique hotel from San Francisco chain Joie de Vivre takes its cues from its address in vibrant Chinatown. Interiors have a gritty-industrial look, with distressed fabrics and stripped-back plaster walls, plus artwork from Beijing-based graffiti artist Dake Wong and the Museum of Chinese in America. At the hotel’s 220-seat restaurant, Rice & Gold, tuck into Pan-Asian dishes like crispy papaya salad, hand-pulled noodles, and Thai fried chicken, then keep the party going by sipping cocktails and listening to live music at the Green Lady, an “opium den-themed parlor lounge.” The hotel’s address on Canal street means you’re steps from Chinatown’s top attractions, but if you want to stay closer to home, there’s a 1,500-square-foot gallery on-site that explores the area’s rich history.

     Life Hotel

    Sleep where Norman Rockwell worked and lived at the newly opened Life Hotel, set inside LIFE Magazine’s former Herald Square HQ. The 98-room boutique hotel channels the glamor of a bygone era, with 20-foot-high ceilings, wood floors, white walls, cast-iron columns, and original moldings. Several New York-based artists were also commissioned to create close to 200 pieces of work for the guestrooms. Grab a bite to eat in the restaurant, where there are small plates and classic cocktails, then mosey on down to the intimate basement bar, which functioned as a speakeasy during Prohibition.

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  • Features,  HEW Hotels,  Interior Design,  Life and Style,  Lifestyle

    The World’s Best-Designed Hotels

    The Beekman - boutique hotel in New York
    The Beekman | New York City

    This story originally appeared in Tablet Magazine

    The Power of Interior Design, Part 1

    Hotels aren’t as simple as they used to be. No longer just places to sleep, the best have evolved into works of art — performance spaces that allow guests to star in their own sort of theatrical production. And nothing sets this scene like the exceptional interior design, where every inch is carefully considered and each element works toward a theme that offers a thorough departure from the outside world. It’s a chance to try on a whole different life, and in this series we’ll examine hotels that provide the greatest escape.

    PART 1: THE PAST OR THE FUTURE?

    Historical DramaWe start with the period pieces. Some designers are aces at turning back the clock and infusing their creations with the atmosphere of days gone by. These six hotels take you back to an idealized version of hospitality history, but with a present-day energy that ensures things don’t get stale.

    The Beekman - boutique hotel in New YorkThe Beekman | New York City

    Soprarno Suites - boutique hotel in FlorenceSoprarno Suites | Florence, Italy

    G-Rough - boutique hotel in RomeG-Rough | Rome, Italy

    When you enter The Beekman, you enter a different time and place. This is an 1881-vintage skyscraper from the days when a skyscraper meant nine stories of terraced red brick and a towering central atrium. It’s a sort of Wes Anderson version of prewar Manhattan, full of historical resonance but viewed through a contemporary lens.

    The weight of history is similarly lightened at Soprarno Suites in Florence, too — the hoteliers stocked a 16th-century villa with contemporary designer furniture and modern art — and at Rome’s G-Rough, a 17th-century villa with just a slight patina of decay, freshened up with design-museum-quality furniture from the Thirties, Forties and Fifties.

    Maison Souquet - boutique hotel in ParisMaison Soquet | Paris, France

    The Battery - boutique hotel in San FranciscoThe Battery | San Francisco, California

    No less devoted to its history is the decadent Maison Soquet in Paris. The Pigalle district’s “pleasure houses” were more or less exactly what they sound like, and this one, even after a makeover by Jacques Garcia, leans all the way in to the overt sexiness of its concept. It’s not hard to imagine the aristocratic debauchery that once took place here.

    Though it’s not strictly a reconstruction of something historical, The Battery, in San Francisco, indulges in another somewhat nostalgic concept: the member’s club. Except this private hangout only requires you book a room to gain admission. And you’ll definitely want to — the vibe is dark, moody, and bohemian, with a sense of slightly old-fashioned decorum.

    Dunton Hot SpringsDunton Hot Springs | Dolores, Colorado

    From here you’re guaranteed to be transported to the Old West. A one-time prospector’s camp, Dunton Hot Springs is a bit more upscale in its new incarnation — though it’s still possible to get some serious ghost-town vibes as you stroll from cabin to cabin, immersing yourself in the intensely cozy interiors.

    Modernist StagecraftAround the middle of the last century, design took on an added significance; no longer just ornament, it was an expression of the possibility of a better future. Now modernist design feels like something from an alternate universe — and these six hotels give you the chance to live there.

    The Maritime - boutique hotel in New YorkThe Maritime | New York City

    Villa La Coste - boutique hotel in FranceVilla La Coste | Provence, France

    Though the seafaring vibe is an obvious overtone at The Maritime Hotel, it’s perhaps more reminiscent of the slightly utopian era of mid-20th-century modernism, when the new forms were replacing the old and it felt as though just about anything might be possible.

    You’ll find a similar excitement at Villa La Coste, though it’s produced via very different means — if living on the grounds of a 17th-century Provençal farmhouse weren’t fantasy enough, you’ll find yourself surrounded by modernist furnishings and contemporary architecture by the likes of Frank Gehry, Oscar Niemeyer, and Tadao Ando.

    Il Sereno - boutique hotel in Il Sereno | Lake Como, Italy

    Katamama - boutique hotel in BaliKatamama | Seminyak, Bali

    Rising up on the shores of Lake Como, where stately old villas are the luxury norm, Il Sereno sets itself apart with striking interiors by the Milan-based designer Patricia Urquiola, and features a mix of minimalist chic and futuristic whimsy.

    Also playing against type is Katamama, in Bali, a beach hotel built almost entirely by local artisans, whose traditional craftsmanship sets the stage for a lovely collection of historically significant modernist furniture.

    Downtown Mexico - boutique hotel in Mexico CityDowntown Mexico | Mexico City

    South Congress Hotel - boutique hotel in AustinSouth Congress Hotel | Austin, Texas

    Sometimes a place comes with so much history of its own, the best thing for a designer to do is to strike a contrasting note. The ancient stone walls at Downtown Mexico contrast as starkly as possible with its ultra-minimalist décor and furnishings, and in the space between those two extremes, something deeply memorable is created.

    Meanwhile, the South Congress Hotel in Austin puts forth a version of Texas that’s almost futuristic, but no less warm or organic for it — a place where modernist design and architectural minimalism combine to reveal a more cosmopolitan version of life in the Lone Star State.

  • Art,  Bauhaus,  Features,  Interior Design

    The Endless Influence of The Bauhaus Movement

    (Credit: Schöning/Ullstein Bild/Getty)

    Germany’s Bauhaus Archiv is presenting ‘greatest hits’ from the world’s biggest Bauhaus collection while it undergoes renovation (Credit: Schöning/Ullstein Bild/Getty)

    Here in Berlin, Germany’s Bauhaus Archiv is throwing a farewell party. Next year this museum will close for renovation, and until then it’s presenting a display of ‘greatest hits’ from the world’s biggest Bauhaus collection. From furniture and posters to crockery and cutlery, these exquisite objects show how the Bauhaus school shaped our idea of good design.

    For most of us, the word Bauhaus conjures up a certain type of modern architecture – that stark aesthetic that spawned a million tower blocks. But the Bauhaus was much more than an architectural style – it was a new way of thinking, and a century since it was born, at the end of World War One, its ideas still set the pattern for the way we live today.

    The Bauhaus was founded in 1919 in the German city of Weimar, by a Prussian architect called Walter Gropius. No architecture was taught here. It was a sort of art school, but one like no other. Instead of drawing nudes and still lives, students here were taught to look at the world around them in an entirely different way.

    There is no essential difference between the artist and the craftsman – Walter Gropius

    Bauhaus means ‘building house’ but Gropius didn’t want to build only houses. He wanted to create a new breed of artists, who could turn their hands to anything. Traditional art schools were conservative and elitist. Technical colleges were dreary and conventional. Gropius broke down the barrier between fine art and applied arts.

    (Credit: Keystone Pictures/Alamy)

    The Bauhaus was founded in 1919 in the German city of Weimar by Prussian Walter Gropius, pictured right (Credit: Keystone Pictures/Alamy)

    “There is no essential difference between the artist and the craftsman,” he said. Pupils learned pottery, printmaking, book-binding, and carpentry. They studied typography and advertising. They went back to basics, and began again with fresh eyes.

    “An object is defined by its nature,” announced Gropius. “In order to design it to function properly, one must first of all study its nature. For it to serve its purpose perfectly, it must fulfil its function in a practical way.” Instead of sitting in stuffy classrooms listening to lectures, students were assigned to workshops. They learned on the job.

    Nature of objects

    The results were extraordinary. The Bauhaus produced an incredible array of artifacts, from angle poise lamps to chess sets, all distinguished by their functional and elegant construction. They were simple and useful, and their simplicity made them beautiful. In an era of ornamentation, their streamlined appearance was revolutionary. This was a new age of design.

    (Credit: Gunter Lepkowski/Bauhaus Archiv/VG Bild-Kunst)

    From chess sets to this ashtray by Marianne Brandt, the Bauhaus inspired many designs beyond architecture (Credit: Gunter Lepkowski/Bauhaus Archiv/VG Bild-Kunst)

    “Bauhaus workshops are laboratories in which prototypes of products suitable for mass production are carefully developed and continually improved,” declared Gropius. “In these laboratories, the Bauhaus will train and educate a new type of worker for craft and industry, who has an equal command of both technology and form.”

    An object is defined by its nature – Walter Gropius

    Not everyone shared his vision. In local elections in 1924, the liberals who had supported the Bauhaus were defeated, and the new conservative government cut off the school’s funding. On 1 April 1925, exactly six years after it opened, the Bauhaus was forced to close.

    (Credit: Oliver Berg/DPA/Alamy)

    An original desk lamp by Wilhelm Wagenfeld, an iconic Bauhaus design, sits next to a modern replica in Germany’s Bundeskunsthalle museum last year (Credit: Oliver Berg/DPA/Alamy)

    Yet by now, the word about the Bauhaus had spread way beyond Weimar, and another German city, Dessau, gave it a new home. The local government commissioned a spectacular new building, designed by Gropius. It was here that the Bauhaus came of age.

    A new home

    In Dessau, Gropius started teaching architecture, but he added other genres too. There were workshops devoted to weaving, metalwork, photography and stage design. Gropius left in 1928 to resume his career as an architect, but under a new director, Hannes Meyer, the school went from strength to strength. Bauhaus wallpaper became the school’s bestselling product. At last, there was an art school which could actually pay its way.

    (Credit: IAISI/Getty)

    In Tel Aviv, the White City is a collection of over 4,000 buildings built from the 1930s in the Bauhaus style by German Jewish immigrants (Credit: IAISI/Getty)

    But German politics was polarizing, and support for the Nazis was growing. In 1930 Dessau’s city council dismissed Meyer on account of his “communist tendencies,” and in 1931 the Nazis won the local elections, having promised to close the Bauhaus (they called it “cultural bolshevism”). Thankfully Gropius’s building survived and still stands there today, but the students and teachers were forced to flee. They found a new home in an old factory in Berlin, under their new director, the brilliant architect Mies van der Rohe, but in 1933 Hitler came to power and shut the Bauhaus down.

    (Credit: Iain Masterton/Getty)

    After the original Bauhaus was forced to close, the German city of Dessau gave it a new home, in the form of a building designed by Gropius (Credit: Iain Masterton/Getty)

    A modern threat

    Why did the Nazis feel so threatened by the Bauhaus? Why were they so scared of an art school that made modernist furniture and kitchenware? Because it represented a worldview which was the complete opposite of National Socialism.

    Nazism was nostalgic and nationalistic. The Bauhaus was cosmopolitan and avant-garde. Its international ethos made a mockery of Hitler’s racist fantasies. In a way, the persecution of the Bauhaus by the Nazis was a (very) backhanded compliment. They hated everything it stood for, but they were fearful of its power.

    (Credit: Fred Duval/WireImage)

    A visitor looks at tables and chairs on display at the ‘Bauhaus Art as Life’ exhibition in London, 2012 (Credit: Fred Duval/WireImage)

    Ironically, it was this persecution of the Bauhaus which ensured its survival. Had it been embraced by the Third Reich, it would have perished with it. Driven into exile, its philosophy spread around the globe. Gropius and Mies van der Rohe went to America, where they were joined by Bauhaus teachers such as Josef Albers, Herbert Bayer, Walter Peterhaus and Laszlo Moholy-Nagy. In 1937, Moholy-Nagy founded the ‘New Bauhaus’ in Chicago. In 1938, New York’s Museum of Modern Art staged a blockbuster Bauhaus exhibition. Bauhaus style was here to stay.

    The true measure of its immense influence is how familiar it has become

    But what exactly is Bauhaus style? Like all design classics, you know it when you see it, but Mies van der Rohe’s motto, ‘Less is More,’ is a good place to start (‘chuck out the chintz’ is just as good). Form follows function. Each element is stripped down to its bare essentials. Everything is fit for purpose. The result is austere, but strangely pleasing on the eye.

    (Credit: Robert Oliver/ArcaidImages)

    The influence of the Bauhaus is ubiquitous even today, as is evident in a modern-day apartment in London’s Barbican Estate (Credit: Robert Oliver/ArcaidImages)

    Yet the true measure of its immense influence is how familiar it has become. Wandering around the Bauhaus Archiv (a futuristic building designed by Gropius, and eventually built after his death) the exhibits here seem so contemporary. It’s only when you read the labels that you realise they are nearly a hundred years old. Once a radical revolt against the status quo, Bauhaus style has become the new normal. And by becoming ubiquitous, it has disappeared – into the décor of our daily lives.

    Bauhaus in Motion is at the Bauhaus Archiv, Berlin until 8 January 2018. New Bauhaus Chicago: Experiment Photography is at the Bauhaus Archiv from 15 November 2017 to 5 March 2018.

    This article was written by William Cook. It originally appeared on www.bbc.com. All rights reserved.

     

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  • Art,  Editor's Top Picks,  Features,  Interior Design

    Designer’s Top Picks from The Salon Art + Design

    The Salon Art + Design 2017

    Luxury pillow designer Cynthia Murphy’s Top Picks from the opening night preview of the annual Salon Art + Design where she enjoyed an amazing display of the crème de la crème furniture and fine arts from well over 50 galleries that hailed from 11 countries. Above is a sneak peek of some of her top picks from the much talked about furniture fair from the beautiful Park Avenue Armory.

    The Salon Art + Design Fair 2017

    Fun Facts About The Designer: Cynthia Murphy’s eye for beauty, and her appreciation for how different cultures develop their stylistic approach and techniques, has driven her to collect textiles on a global basis.  Within each piece, she recognizes social influences— fashion, ritual, symbolism, status, honor— that go beyond aesthetics and deepen the cultural connection.  This extra dimension beyond beauty fuels Cynthia’s true passion for collecting. She first selected rich, intricate, 18th and 19th-century embroideries and brocades from France, England, and Italy.  Then, as her curiosity was piqued, she added Asian needlework, Turkish weaving, and Persian silks.  Cynthia’s special interest in Art Deco and Arts & Crafts design expanded the scope of her collection.

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