• Art,  Christie's,  Decorative Arts,  Editor's Top Picks,  Features

    At Christie’s NY: A Fresh look at World-Class Masters

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    Jan Cornelisz. Vermeyen (Beverwijk, Circa 1500 -C. 1559 Brussels). Portrait of Joost Aemszoon van der Burch.

    Top Picks from Christie’s Classic Week: April 8-15, 2016

    Christie’s Classic Week overs an extraordinary look at some of the world’s top old masters – from Rubens masterpiece Lot and his Two Daughters which is in view for the first time in a century (the sale will take place at Christie’s London) to a fascinating exhibit named An Inquiring Mind: American Collecting of Japanese and Korean Art. The Classic Week goes from Antiquities, Sculpture, with a contrasting mix artists like Clyfford Still.

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    Background: A Hendrik Frans Van Lint waiting. (Called LO STUDIO). Baccus and Ariadne on the Island of Naxos.
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    Elisabeth-Louise Vigee Le Brun: Portrait of Marie Antoinette (1755-1793), bust-length, in a trompe l’oeil stone niche.
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    A Kawari Kabuto (Exotic Helmet). Momoyama period (Late 16th century).
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    A Roman sleeping beauty at Christie’s Classic Week.
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    Foreground – Right: Elisabeth-Louise Vigee Le Brun (Paris 1755-1842). Maria Grigorievna Viazemskaia, Princess Golitsyna (1772-1865), seated three-quarter-lengh.
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    Jean-Leon Gerome (Vesoul. Haute-Saone 1824-1904 Paris) Washington a cheval (‘Washington on his horse’). Bronze, dark brown patina.
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    A tinted plaster bust of Napoleon Bonaparte as first consul by Joseph Chinard (Lyon 1756-1813), 1801.
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    Domenikos Theotokopoulos, Called EL GRECO. (Crete 1541-1614) Toledo). The Entombment of Christ.
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    A colossal Roman marble portrait head of the emperor Hadrian. Reign 117-138 A.D.
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    An important large Roman inlaid bronze Bacchus. Circa 2nd Century A.D.
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    Christie’s Classic Week: April 8-15, 2016
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    A Roman marble Venus. Circa 1st Century B.C., 1st Century A.D.
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    An important Egyptian wood figure of a lady. Middle kingdom. Early 12th dynasty. Circa 1981-1802 B.C.
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    Foreground: An attic red-figured Nolan amphora, attributed to the Berlin painter, circa 470 B.C.
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    Contemporary artwork by Clyfford Still mixed with Classic Week at Christie’s. 

    All images by High End Weekly™. All rights reserved.

  • Architects,  Architecture,  Design,  Features

    Zaha Hadid: 1950–2016

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    Wangjin Soho. Beijing, China. Jerry Yin ® Zaha Hadid Architects

    In Pictures: Zaha Hadid’s award-winning designs

    The death of famed architect Zaha Hadid rocked the architecture industry last week. Like many people around the world, I was deeply sadden to hear about the untimely passing of a woman who Dared to Dream. Dared to Be Bold. Dared to Be an original.

    The Pritzker Family and the Pritzker Architecture Prize organization quickly shared their thoughts on Dame Hadid with us, and here we are, sharing them with you now. Dame Hadid was the 2004 Pritzker Architecture Prize laureate, recognized for her extraordinary talent and prodigious artistic outpouring. She also served on the Pritzker Architecture Prize jury in 2012. Eventhough she is no longer with us, her legacy and vision will continue to shine, and inspire a multitude of man and woman across the globe.

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    Wangjin Soho. Beijing, China. Virgile Simon Bertrand ® Zaha Hadid Architects
    Tokyo, Japan Exhibition ® Zaha Hadid Architects. Photography by NISHIKAWA Masao
    Messner moutain Museum Corones ® Zaha Hadid Architects. Photo inexhibit.com
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    The Circle at Zurich Airport. Render ® Zaha Hadid Architects
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    The Circle at Zurich Airport. Render ® Zaha Hadid Architects
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    The Circle at Zurich Airport. Render ® Zaha Hadid Architects
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    Z-Chair – Design ® Zaha Hadid Architects. Ruy Teixera Courtesy of Sawaya & Maroni

    “Zaha represented the highest aspirations of the Pritzker Architecture Prize. She combined her vision and intellect with a force of personality that left no room for complacency. She made a real difference.” Tom Pritzker, Chairman of the Hyatt Foundation

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    Venice Architecture Biennale – Common Ground ® Zaha Hadid Architects. Photo credit Sergio Pironne
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    Venice Architecture Biennale – Common Ground ® Zaha Hadid Architects. Photo credit Iwan Baan
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    Venice Architecture Biennale – Common Ground ® Zaha Hadid Architects. Photo credit Iwan Baan
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    Tokyo, Japan Exhibition ® Zaha Hadid Architects. Photography by NISHIKAWA Masao
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    Tokyo, Japan Exhibition ® Zaha Hadid Architects. Photography by NISHIKAWA Masao

    “The world of culture has lost a standard-bearer for the art of architecture. Zaha Hadid fought prejudice all her life with great success. And this, in addition to her genius as an architect, will secure her legacy for all time.” The Chair of the Jury of the Pritzker Architecture Prize Jury, Lord Peter Palumbo

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    1000 Museum. Miami, USA – Render ® Zaha Hadid Architects
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    520 West 28th Street, New York, NY – Render Hayes Davidson ® Zaha Hadid Architects
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    520 West 28th Street, New York, NY – Render Hayes Davidson ® Zaha Hadid Architects
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    520 West 28th Street, New York, NY – Render Hayes Davidson ® Zaha Hadid Architects
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    Sleuk Rith Institute – Architecture ® Zaha Hadid Architects
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    Sleuk Rith Institute – Architecture ® Zaha Hadid Architects
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    Sleuk Rith Institute – Architecture ® Zaha Hadid Architects
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    Dame Zaha Hadid

    All images courtesy of Zaha Hadid Architects.

  • Art,  Art Fairs,  Features

    Lan Zhenghui’s Ink Moment in Hong Kong

    6 - Ink Monument installation at Art Central 2016
    Ink Monument installation at Art Central 2016.

    One of China’s leading contemporary artist, Lan Zhenghui, recently début a magnificent installation Ink Monument at Art Central Hong Kong. The project was presented by Ethan Cohen New York, at the iconic Central Harbourfront. Commissioned by Art Central’s selection committee, Lan Zhenghui’s installation Ink Monument towers close to 16.5 feet high, with a colossal four-sided column of large-scale ink paintings on rice paper.

    The artist created his new master-work to express the power of sadness and an epic awareness of tragedy. After Hong Kong Art Week, Lan will next embark on a U.S. tour that includes a second residency at Mana Contemporary co-sponsored by Ethan Cohen Fine Arts, and university lectures in multiple cities.

    This is the second year that the Art Central selection committee has invited Lan Zhenghui for a major installation. At 2015’s Hong Kong Art Week, Ethan Cohen curated Lan’s installation titled Re-Think, which was very well received in Hong Kong and was a highlight of the Art Central fair (the entire installation was acquired).

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    Maree Di Pasquale, the Fair Director for Art Central Hong Kong, with Lan Zhenghui.

    7 - Artwork high-res - Ink Monument - installation - 5 meters x 1 meter - ink on rice paper - four-sided column

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    Born in Sichuan China in 1959, Lan graduated in 1987 from one of China’s most prestigious art academies, the Sichuan Academy of Art (famous alumni include Zhang Xiaogang and Zhou Chunya). He has focused his career working in contemporary ink painting and calligraphy, and his powerful ink movement is based on more than 20 years of passionate research for his vision of constructing art via ink traditions in new ways.
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    Ink Monument, 2016, vertical detail
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    Lan Zhenghui and his Ink Monument installation.
  • Art,  Editor's Top Picks,  Features,  Museums

    The Met Breuer Shows Off its Quirky Side

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    Pablo Picasso, Spanish, Malaga 1881-1973 Mougins, France. Portrait of Olga, 1921. This work is one of several female heads that Picasso rendered during a summer stay in Fontainebleau with Olga and their newborn son.

    Have you been to The Met? The Met Breuer, I mean.

    The Metropolitan Museum of Art’s modern and contemporary art program have expanded their artful wings by including a new series of exhibitions, performances, artist commissions, residencies, and educational initiatives in a building designed by Marcel Breuer on Madison Avenue and 75th Street. The museum official opened to the public on March 18, 2016. However, High End Weekly™ was fortunate enough to attend the press preview on March 1st. The Met Breuer is a strikingly contemporary building that provides additional space to explore the art of the 20th and 21st centuries through the global breadth and historical reach of the Met’s unparalleled collection. Their exhibition Unfinished: Thoughts Left Visible opened on March 18th, and will end on September 4, 2016. With over 190 works dating from the Renaissance to the present—drawn mainly from the Museum’s collection, supplemented with major national and international loans—the exhibition demonstrates the type of groundbreaking show that can result when the Museum mines its vast collection and curatorial resources to present modern and contemporary art within a deep historical context.

    Located on the 3rd and 4th floors, at Madison Avenue and 75th Street, this exhibition is undoubtedly one of the finest museum show I’ve seen so far this year. Other programs featured as part of the inaugural season of The Met Breuer include the largest exhibition to date dedicated to Indian modernist Nasreen Mohamedi; and a month-long performance installation, by Resident Artist Vijay Iyer. Upcoming exhibitions include a presentation of Diane Arbus’s rarely seen early photographic works (July 12-November 27, 2016), and the first museum retrospective dedicated to Kerry James Marshall (October 25, 2016-January 30, 2017).

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    Opening remarks from Thomas P. Campbell, Director and CEO of the Metropolitan Museum during The Met Breuer Press Preview
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    An unfinished Pablo Picasso painting showcased at Marcel Breuer’s iconic building on Madison Avenue.
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    Press day at Marcel Breuer’s iconic building on Madison Avenue which now housed The Met Breuer.
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    Urs Fischer, Swiss, born Zurich, 1973. Cast bronze, oil paint, palladium leaf, clay bole, chalk gesso, rabbit-skin glue. “Many of Fischer’s works court the tension between permanence and impermanence. Some are designed to self-destruct, while others only appear to be disintegrating; 2, 2014 falls into the latter category.”
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    Pablo Picasso, Spanish, Malaga 1881-1973 Mougins, France. Harlequin, 1923.

    “Unfinished is a cornerstone of The Met Breuer’s inaugural program and a great example of the Met’s approach to presenting the art of today. Stretching across history and geography, the exhibition is the result of a cross-departmental collaboration, drawing on the expertise of the Met’s outstanding faculty of curators. We hope the exhibition will inspire audiences to reconsider the artistic process as they connect to experiences shared by artists over centuries.” Thomas P. Campbell, Director and CEO of the Metropolitan Museum. 

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    A collection of unfinished old masters are now in view at The Met Breuer until September 4, 2016.
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    Leonardo da Vinci, Italian, Vinci, ca 1452-1519 Amoise. Head and Shoulders of a Woman (La Scapigliata), ca. 1500-1505. Oil, earth, and white lead pigments on poplar.
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    Portrait of Mariana de Silva y Sarmiento, Duquesa de Huescar (1740-1784), 1775 by Anton Raphael Mengs.
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    Kerry James Marshall speaking to the audience during Press Day at The Met Breuer. The artist uses painting, sculptural installations and photography to comment on the history of black identity in the US.
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    An utterly striking, yet unfinished work by Alabama-born artist Kerry James Marshal. In Marshall’s powerful allegory of painting, an artist sits holding her oversize palette, turned away from an unfinished self-portrait on her easel. The painting within a painting – or, more precisely, the painting about painting – is a time-honored motif taken up by many of the greatest artists in the Western tradition to which Marshall now contributes.
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    George Romney, British, Beckside, Lancashire 1734-1802 Kendal, Cumbria. George Romney, 1784. Oil on canvas. This unfinished self-portrait was begun for the artist’s friend and biographer William Hayley during a trip that Romney and the artist John Flaxman made to Hayley’s villa. The painting was both praised for its vivacity and questioned for its incomplete state by those who knew the story of its making.
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    Sir Joshua Reynolds, British, Plympton 1723-1792 London. A Young Man, ca. 1770. The sitter may be a man who worked for the artist and appeared in other paintings by him, but precise identification is difficult.
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    Alice Neel, American, James Hunter Black Draftee, 1965. Oil on canvas.
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    Vincent van Gogh, Street in Auvers-sur-Oise, 1890.
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    Gustav Klimt, Posthumous Portrait of Ria Munk III, 1917-18. Oil on Canvas. Death stands at the beginning and at the end of this work’s history. The young woman, Maria (“Ria”) Munk, committed suicide on December 28, 1911, after the writer Hanns Heinz Ewers called off their engagement. Klimt, the most sought-after portraitist in Vienna at the time, was commissioned to paint her posthumous portrait. He struggled with the task ,and the first two portraits did not meet the family’s approval. While still working on this third portrait of Ria, Klimt himself died.
  • Art & Design,  Design,  Features,  Interior Design,  Interviews

    Tête-à-Tête with Design Talent, Darrin Varden

    Interior Designer Darriv Varden
    Interior Designer Darrin Varden

    New York-based interior designer Darrin Varden loves getting people together by designing spaces that are warm, rich with colors, undeniably sensual, and filled with metaphors and symbolism. With all his skills, his passion for design, and inventive vision, it was of no surprise that he was invited by The New Times and world-renowned luxury porcelain brand Lladró to fashioned an elegant dining pavilion with an opulent residential feel for DIFFA’s Dining by Design. High End Weekly™ recently met with the designer who is not only one of NY’s top design talent, but a charming gentleman as well.

    High End Weekly™: You were invited by the NYT and Lladrò, the handmade porcelain company from Spain to design a table at DIFFA this year. How did you approach that project? And was the process similar to some of your residential projects?

    Darrin Varden: My residential work is often inspired by and anchored with large-scaled fine art. I was putting a Claire Sherman painting in a home I’m working on and had just been looking at her work when I got the call for DIFFA. The painting I used as the jumping off point for this scene was her “Diagonal Tree” which put me in the mindset of the charitable component of the occasion, Design Industries’ Foundation Fighting AIDS. I saw these gorgeous, broken, fallen redwoods, once so strong, ravaged yet still beautiful, still imposing in their beauty, paralleling the destruction of AIDS on the landscape of humanity. The beauty of the memory of those we lost is juxtaposed against trees that are still standing, those for whom HIV is no longer a death sentence. It was perfect.

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    Top design talent Darrin Varden at the lavish table he created for DIFFA, the Design Industries Foundation Fighting AIDS which is one of the country’s largest supporters of direct care for people living with HIV/AIDS and preventive education for those at risk.

    Once D.C. Moore Gallery said we could borrow the piece, I started thinking about a modern, organic look, similar to what Lladro is doing in some of their sculpture lines. And I got this little click in my head about The New York Times, our host, that old saw about ‘Black and white and re(a)d all over,’ and that became my color scheme.

    I was so lucky with collaborating on custom chairs from Artistic Frame, which specializes in custom and made-to-order furniture. They partnered with me to create an elegant ebonized strié styled finish that just complements that painting. Everyone was so generous – we got custom upholstery fabric for the chairs in a deep red velvet by Stark. A wool sateen by Stark worked really well on custom benches of our own design, fabricated by Peruvian Touch custom workroom. The entire tableau is finished in a glistening frame, painted in Benjamin Moore’s aptly named Dinner Party red. We couldn’t believe that was the name of the color!

    ” Design is all about the people who will inhabit the spaces, not about the things in the space. It is about how people relate to one another within the space – especially a dining room”. Interior designer Darrin Varden

    HEW: The stallion sculptures from your table design were graceful, yet very strong. Would you say that this description is synonymous with your design aesthetic?

    Darrin Varden: Yes, in my work I very intentionally honor the masculine and feminine in everything. Those wild horses are like that – though graceful they’re also fierce and muscular. I love how Lladro used the matte finish on the porcelain, it has just the same level of gloss as a horse’s coat, smooth but not pristine. Those juxtapositions are what makes art.

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    HEW: I remembered your past projects, especially the one you did a few years ago at The Holiday House. Looking at your work, I see this fabric of togetherness which tells me that you like to bring people together. Is that right?

    Darrin Varden: Design is all about the people who will inhabit the spaces, not about the things in the space. It is about how people relate to one another within the space – especially a dining room. You want to give people unexpected touches, a reason to come present to the moment and to each other. Great design, and the use of fine art within a design, can do that. It’s pretty exciting. At the same time, you want them to feel comfortable. I tend to call my living spaces lounges rather than living rooms for that reason.

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    Darrin Varden/DIFFA 2016

    We often talk about ‘table-scapes’ in doing these events, but to your point about togetherness, I wanted to have an actual table-scape, with multiple levels and dimensions and a horizon line and a focal point that draws the guest out beyond the space and into their own imagination, which also creates conversational ice-breakers,” said Varden. That focal point, the large painting that centers the room, is given additional notice through the use of the backless custom benches, and by flanking it with two chandeliers rather than using one large chandelier in the center. This up-and-down table-scape keeps the eye moving through the design, and I also worked closely with floral designer Shula Weiner of Flowers by Special Arrangement to achieve his vision for a rich, tonal mix of deep wine and berry hues in various textures, a sumptuous field for the graceful black porcelain horses.

    “When it comes to personal travel, I’m not a beachgoer or a sun worshipper. I’d rather go where there are museums or architectural or design oriented things I want to explore, like Barcelona with all that Gaudi”. Darrin Varden

    HEW: How important is art to you, and your clients? Do you advised them on their art choice?

    Darrin Varden: There are clients that I do advise but others are already collectors. In fact as my practice grows I’ve found that art collectors gravitate toward my interiors and become clients for that very reason. I sometimes go in to an initial meeting with Benjamin Moore fan deck and pull colors from their favorite art pieces to create the color scheme.

    HEW: What do you love about design, why do you find it exciting?

    Darrin Varden: Well you know, Vyna, “Changing the world one room at a time!” Seriously I do actually believe that transforming where a person lives and how they live can contribute to the transformation of people’s lives, at least in some ways.

    For me the really energizing thing about design is that it’s always evolving. So as a designer I have to evolve with it, and to me, that evolution and growth is the purpose of living.

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    World renowned porcelain brand Lladró and interior designer Darrin Varden have fashioned an elegant dining pavilion with a luxury residential feel for DIFFA’s Dining by Design 2016. Starring Lladró’s porcelain lighting and sculptures and elegantly furnished by luxury residential design showrooms Stark and Artistic Frame, Varden’s sophisticated tableau is that of an actual dining room centered with the painting Diagonal Tree by artist Claire Sherman, on loan from DC Moore Gallery.

    HEW: What inspires you during your travels? Tell us about some of your favorite places to visit.

    Darrin Varden: When it comes to personal travel, I’m not a beachgoer or a sun worshipper. I’d rather go where there are museums or architectural or design oriented things I want to explore, like Barcelona with all that Gaudi. I’m also a foodie so I like to go where I can dine adventurously. I love Greece, the ancient-ness of Athens and the Acropolis and the Parthenon, Delos with those mosaics from antiquity that I would totally put in a home today juxtaposed with a piece of mid-century furniture, that truly timeless aspect of design. And I love to see any place with great modernist and newer iconic buildings. That’s also why I love living in New York – I’m that design geek always looking up. When it comes to cities, I think a great benchmark for the future is Vancouver, a growing city, civically mindful in its growth and with a forward-thinking architectural and design point of view.

    Photo credit: Alan Barry Photography. All rights reserved

  • Art,  Art Fairs,  Features

    Art Fairs & Stylish Guests

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    Brazilian beauties, Alina Concalves & Alessandra Kertzer

    NY ART FAIRS AND STYLISH GUESTS

    Text and photos by Rose Hartman

    With over 200 galleries, The Armory Show was the place to be!!! Pier 92 and 94 attracted a record crowd of art aficionados. At Pier 94, one could discover the newest of the new with a new African art section.

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    Stylish guests attending the preview of The Armory Art Show (Contemporary Armory)
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    Recreation of Joan Miró’s studio at The Armory Show
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    Stephanie Labielle-Sczyrba (Assouline)
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    POMMERY‘S Champagne owners, Maylis Vraken & Adrien Eveque
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    Princess Firyal of Jordan

     

  • Art,  Features

    Friday’s Art Muse: Amanda Parer

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    Amanda Parer/Intrude Public Light Art Installation

    THE ANIMAL INSTINCT

    This week, Australian artist Amanda Parer announced the launch of her North American tour of Intrude, the highly acclaimed public art installation that features monumental rabbits, each sewn in nylon, inflated and internally lit. Fascinating.

    From March – June 2016, the giant rabbits will travel throughout North America, making stops in Washington D.C., San Francisco, Toronto, New York, Houston, Los Angeles, Denver and Memphis. (See schedule below.)

    One of the most celebrated and widely viewed pieces of light sculpture ever created, Intrude, which was a prominent work in the 2014 Vivid Festival in Sydney, has brought a joyful spirit to more than 19 major cities throughout the world, including London, Perth, Paris and Boston. The visual humor evoked by the enormous rabbits lures audiences into the artwork to reveal a more serious environmental message.

    For artist Amanda Parer, rabbits are an animal of contradiction.

    While they often connote a furry innocence, rabbits are considered an invasive pest in the artist’s native Australia, where they have caused a great imbalance to the country’s natural and delicately balanced ecosystems since they were first introduced by white settlers in 1788. Through Intrude, Parer hopes to move people to thoughtfully consider how humans can change and dominate the environment.

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    Amanda Parer/Intrude Public Light Art Installation
    Amanda Parer
    Amanda Parer, 2013
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    Amanda Parer, 2013. Porcelain
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    Amanda Parer, 2014
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    Amanda Parer. Public light art installation
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    Amanda Parer. Public light art installation

    Tour schedule is as followsTORONTO: Monday, March 14 – Wednesday, March 23
    Brookfield Place Toronto (181 Bay Street). SAN FRANCISCO: Monday, April 4 – Monday, April 25
    Joseph L. Alioto Performing Arts Piazza, located in the heart of San Francisco’s Civic Center. NEW YORK: Sunday, April 17 – Saturday, April 30. Monday – Saturday, 12 -9 p.m. Sunday, 12 – 7 p.m. Brookfield Place (230 Vesey Street). HOUSTON: Monday, May 9 – Saturday, May 14. 1600 Smith Street. LOS ANGELES: Sunday, June 5 – Saturday, June 11. Installation spans three Brookfield properties: Bank of America Plaza (333 South Hope Street) and Wells Fargo Center (330 South Hope Street) on Bunker Hill; and FIGat7th (735 South Figueroa Street) in Downtown LA. DENVER: Two weekends: June 17, 18, 19 and 24, 25, 26
    1801 California Street. Republic Plaza (370 17th Street).

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    Amanda Parer. Public light art installation
  • Art,  Culture,  Features

    Do women run the world?

     

    Jessye Norman. UNC Education
    Jessye Norman is an American Grammy award-winning opera singer and recitalist. A dramatic soprano, Norman is associated in particular with the Wagnerian repertoire, and with the roles of Sieglinde, Ariadne, Alceste, and Leonore. She’s been inducted into the Georgia Music Hall of Fame and is a Spingarn Medalist. Apart from receiving several honorary doctorates and other awards, she has also received the Grammy Lifetime Achievement Award, the National Medal of Arts, and is a member of the British Royal Academy of Music. In 2003, the Rachel Longstreet Foundation and Norman partnered to open the Jessye Norman School of the Arts, a tuition-free performing arts after-school program for economically disadvantaged students in Augusta, Georgia. Norman is actively involved in the program, including fundraisers for its benefit. Photo credit UNC Education.

    Why are these women chosen in honor of International Women’s Day? I think it’s worth noting that they were so many other influential leading ladies that I thought of, but time simply didn’t allow. Tennis superstar, Steffi Graff is instrumental, not only because of her endurance, grace, and skills, but she was the first tennis star that got me interested in the game. When I first watched her, I simply couldn’t believe how focus, and graceful she was on the tennis court. Jane Austen, Andree Putman, Bette Davis, Jessye Norman? These women, and the others embodies the longterm fruitage of hard work, endurance, and dedication. I salute them all. #OneDayIWill.

    Audrey Hepburn, Bob Willoughby, 1963. from "My Fair Lady". Peter Fetterman
    Audrey Hepburn, Bob Willoughby, 1963. from “My Fair Lady”. Recognized as a film and fashion icon, Hepburn was active during Hollywood’s Golden Age. She was ranked by the American Film Institute as the third greatest female screen legend in the history of American cinema and was inducted into the International Best Dressed List Hall of Fame. Photo credit Peter Fetterman.
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    International tennis superstar, Steffi Graf. “Graf won 22 Grand Slam singles titles. Her 22 singles titles is second all-time behind Margaret Court, and marks the record for most Major wins by a tennis player (male or female) since the introduction of the Open Era in 1968. In 1988, she became the first and only tennis player (male or female) to achieve the Golden Slam by winning all four Grand Slam singles titles and the Olympic gold medal in the same calendar year. Furthermore, she is the only tennis player to have won each Grand Slam event at least 4 times.” Photo credit The Famous People.com.
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    21 Grand Slam tennis legend Serena Williams. According to Wikipedia Williams holds the most major singles, doubles, and mixed doubles titles combined among active players, male or female. Her record of 36 major titles puts her fifth on the all-time list and second in the open era with 21 in singles, 13 in women’s doubles, and two in mixed doubles”. She is widely known as the greatest female tennis player of all time. Getty Images.
    Eileen Gray
    Eileen Moray Gray was an Irish furniture designer and architect and a pioneer of the Modern Movement in architecture. She is often refered to as the quintessential Modernist. She was born as Katherine Eileen Moray Smith on 9 August 1878, near Enniscorthy, a market town in south-eastern Ireland. Gray designed the iconic Bibendum Chair was as part of the modernist movement which was completely different from Gray’s earlier, more traditional work. She decided to make the change in style to simply make “progress”. The art critics loved the chair and reviews in papers and magazines exclaimed that it was a “triumph of modern living”.
    Jane_Austen_coloured_version
    Jane Austen was an English novelist whose works of romantic fiction, set among the landed gentry, earned her a place as one of the most widely read writers in English literature. Her realism, biting irony and social commentary as well as her acclaimed plots have gained her historical importance among scholars and critics. She is the author of the widly popular novel Pride and Prejudice.
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    La Grande Dame of Design: Global sensation Andrée Putman. In 1997, Andrée Putman created her eponymous Studio, specializing in interior design, product design and scenography. When she imagined objects, she refused the excess of striving to re-design pieces which were perfectly designed by others in the past. “We have to accept that many things can no longer be changed – or very slightly. In her lifetime, she was awarded with a multitude of awards, including: BEST DESIGNER, voted by 4000 journalists (2009). Photo credit Marie Claire.
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    Diana Vreeland, noted columnist and editor of Harper’s Bazaar and Vogue and as a special consultant at the Costume Institute of The Museum of Art. Diana was included in the International Best Dressed List Hall of Fame in 1964. In 1984 Vreeland wrote her autobiography, D.V.
    diana-princess-of-wales-by-mario-testino-at-kensington-palace-2-917x1024-1
    Diana Princess of Wales. Children with Leukaemia (currently Children with Cancer UK) was inaugurated in 1988 by the Princess of Wales in memory of Jean and Paul O’Gorman. The O’Gorman family was shattered when brother and sister, Paul and Jean, fell victim to cancer within nine months of each other. In November 1987, just days after Jean’s death, the O’Gorman family met Diana. Deeply moved by the double tragedy, Diana personally helped the O’Gorman family to start the charity. She inaugurated the charity on 12 January 1988 at Mill Hill Secondary School. Diana continued to support the charity until her death in 1997. Photo by Mario Testino.
    Bette-Davis
    Ruth Elizabeth “Bette” Davis was an American actress of film, television and theater. She is widely regarded as one of the greatest actresses in cinema history, she was noted for her willingness to play unsympathetic, sardonic characters and was reputed for her performances in a range of film genres, from contemporary crime melodramas to historical and period films and occasional comedies, although her greatest successes were her roles in romantic dramas.
  • Art,  Features,  Museums

    Friday’s Art Muse: Kehinde Wiley

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    Shantavia BealeII, Kehinde Wiley

    Kehinde Wiley: A NEW REPUBLIC is now at the Seattle Art Museum. The exhibit showcases the powerful and poignant work of one of America’s leading contemporary artists. Composed of approximately 60 works—including paintings, sculptures, videos, and stained glass windows—the exhibition provides an overview of Wiley’s prolific 14-year career, prominently featuring his signature figurative canvases of black men in which he ingeniously reworks the grand portraiture traditions of Western culture. During a residency at the Studio Museum in Harlem in the early 2000s, Wiley found inspiration in the assertive and self-empowered young men of the neighborhood. He engaged subjects for portraits, asking them to pick a pose and dress themselves as they would like to be seen. Wiley then recast these photographic studies in the style of traditional history painting. Like the mashup or remix in hip hop, Wiley combined details from diverse sources—aristocratic portraits of 18th-century Europe, bucolic 19th-century wallpapers, electric contemporary colors, and the presence of his contemporary subjects—to present something provocatively new. This process allows him to reenter the established history and power structure, reaching back in time to imagine a different future – a new republic.

    Kehinde Wiley shows the artist’s progression as he began to work in various mediums and deepened his explorations of race, gender, sexual innuendo, and the politics of representation. The exhibition includes a selection from Wiley’s ongoing World Stage project, which he initiated in 2006 by establishing a satellite studio in Beijing followed by cities in other countries including Nigeria, Brazil, India, Israel, Jamaica, and Haiti. The series touches on the commonalities found across nations and cultures with a history of colonialism and diverse populations.

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    The Two Sisters, Kehinde Wiley
    Colonel Platoff, Kehinde Wiley. THE SEATTLE ART MUSEUM.
    Colonel Platoff, Kehinde Wiley. THE SEATTLE ART MUSEUM.
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    Napleon Leading the Army Over the Alps, Kehinde Wiley at The Seatle Art Museum

    “Kehinde Wiley’s work is absolutely gorgeous and fascinating. Moreover, it engages with timely issues in a very compelling way. The Brooklyn Museum has been a wonderful partner in organizing this exhibition, and I’m thrilled to bring these vibrant and necessary works to Seattle. Prepare to be wowed.” Kimerly Rorschach, SAM’s Illsley Ball Nordstrom Director and CEO.

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    Portrait of a Venetian Ambassador, Aged 59, II, Kehinde Wiley
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    Randerson Romualdo Cordeiro, Kehinde Wiley
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    Saint George and The Dragon, Kehinde Wiley

    Kehinde Wiley: A New Repblic is at the Simonyi Special Galleries at The Seattle Art Museum from February 11 – MAY 8 2016.

  • Architecture,  Features,  Modern Art,  Museums

    The Dawn of a New Architecture

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    Toyo Ito. Sendai Mediatheque, Miyagi, Japan. 1995–2001. © Naoya Hatakeyama

    The Museum of Modern Art announces A Japanese Constellation: Toyo Ito, SANAA, and Beyond, an exhibition focused on the work of architects and designers orbiting Pritzker Prize winners Toyo Ito and SANAA, on view from March 13 to July 4, 2016.

    Providing an overview of Ito’s career and his influence as a mentor to a new generation of Japanese architects, the exhibition offers a retrospective of recent works by three generations of internationally acclaimed designers, including Kazuyo Sejima, Ryue Nishizawa, Sou Fujimoto, Akihisa Hirata, and Junya Ishigami. Displaying models, drawings, and images of more than 40 architectural designs, the exhibition highlights the renewed prominence and innovation of contemporary architecture from Japan since the 1990s.

    As many of the featured architects have been involved in the reconstruction of Japan after the 2011 Great East Japan Earthquake, the exhibition will also reflect how the architecture field is responding to current societal change with a combination of strong aesthetic positions and a commitment to users’ emotional needs.

    Junya Ishigami. Kanagawa Institute of Technology Workshop, Kanagawa, Japan. 2005–08. © Junya.Ishigami + Associates
    Junya Ishigami. Kanagawa Institute of Technology Workshop, Kanagawa, Japan. 2005–08. © Junya.Ishigami + Associates
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    Kazuyo Sejima. Nishinoyama House, Kyoto, Japan. 2010–14. © Kazuyo Sejima & Associates
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    Ryue Nishizawa. Hiroshi Senju Museum, Nagano, Japan. 2007–10. © Daici Ano
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    Ryue Nishizawa. Teshima Art Museum, Kagawa, Japan. 2004–10. © Office of Ryue Nishizawa
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    Junya Ishigami. House with Plants, Japan. 2009–12. © Junya.Ishigami + Associates

    Given the experimental and avant-garde character of these architects’ work, the exhibition will confront the current role of architecture in a context in which mainstream practices are increasingly constrained by economic, legal, and functional considerations.

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    Toyo Ito. Sendai Mediatheque, Miyagi, Japan. 1995–2001. © Naoya Hatakeyama
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    Ryue Nishizawa. Towada Art Center, Aomori, Japan. 2005–08. © Office of Ryue Nishizawa
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    SANAA. 21st Century Museum of Contemporary Art, Kanazawa, Japan. 1999–2004. © SANAA
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    Sou Fujimoto. House NA, Tokyo. 2007–11. © Iwan Baan