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At Christie’s NY: A Fresh look at World-Class Masters
Top Picks from Christie’s Classic Week: April 8-15, 2016
Christie’s Classic Week overs an extraordinary look at some of the world’s top old masters – from Rubens masterpiece Lot and his Two Daughters which is in view for the first time in a century (the sale will take place at Christie’s London) to a fascinating exhibit named An Inquiring Mind: American Collecting of Japanese and Korean Art. The Classic Week goes from Antiquities, Sculpture, with a contrasting mix artists like Clyfford Still.
All images by High End Weekly™. All rights reserved.
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Zaha Hadid: 1950–2016
In Pictures: Zaha Hadid’s award-winning designs
The death of famed architect Zaha Hadid rocked the architecture industry last week. Like many people around the world, I was deeply sadden to hear about the untimely passing of a woman who Dared to Dream. Dared to Be Bold. Dared to Be an original.
The Pritzker Family and the Pritzker Architecture Prize organization quickly shared their thoughts on Dame Hadid with us, and here we are, sharing them with you now. Dame Hadid was the 2004 Pritzker Architecture Prize laureate, recognized for her extraordinary talent and prodigious artistic outpouring. She also served on the Pritzker Architecture Prize jury in 2012. Eventhough she is no longer with us, her legacy and vision will continue to shine, and inspire a multitude of man and woman across the globe.
“Zaha represented the highest aspirations of the Pritzker Architecture Prize. She combined her vision and intellect with a force of personality that left no room for complacency. She made a real difference.” Tom Pritzker, Chairman of the Hyatt Foundation
“The world of culture has lost a standard-bearer for the art of architecture. Zaha Hadid fought prejudice all her life with great success. And this, in addition to her genius as an architect, will secure her legacy for all time.” The Chair of the Jury of the Pritzker Architecture Prize Jury, Lord Peter Palumbo
All images courtesy of Zaha Hadid Architects.
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Lan Zhenghui’s Ink Moment in Hong Kong
One of China’s leading contemporary artist, Lan Zhenghui, recently début a magnificent installation Ink Monument at Art Central Hong Kong. The project was presented by Ethan Cohen New York, at the iconic Central Harbourfront. Commissioned by Art Central’s selection committee, Lan Zhenghui’s installation Ink Monument towers close to 16.5 feet high, with a colossal four-sided column of large-scale ink paintings on rice paper.
The artist created his new master-work to express the power of sadness and an epic awareness of tragedy. After Hong Kong Art Week, Lan will next embark on a U.S. tour that includes a second residency at Mana Contemporary co-sponsored by Ethan Cohen Fine Arts, and university lectures in multiple cities.
This is the second year that the Art Central selection committee has invited Lan Zhenghui for a major installation. At 2015’s Hong Kong Art Week, Ethan Cohen curated Lan’s installation titled Re-Think, which was very well received in Hong Kong and was a highlight of the Art Central fair (the entire installation was acquired).
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The Met Breuer Shows Off its Quirky Side
Have you been to The Met? The Met Breuer, I mean.
The Metropolitan Museum of Art’s modern and contemporary art program have expanded their artful wings by including a new series of exhibitions, performances, artist commissions, residencies, and educational initiatives in a building designed by Marcel Breuer on Madison Avenue and 75th Street. The museum official opened to the public on March 18, 2016. However, High End Weekly™ was fortunate enough to attend the press preview on March 1st. The Met Breuer is a strikingly contemporary building that provides additional space to explore the art of the 20th and 21st centuries through the global breadth and historical reach of the Met’s unparalleled collection. Their exhibition Unfinished: Thoughts Left Visible opened on March 18th, and will end on September 4, 2016. With over 190 works dating from the Renaissance to the present—drawn mainly from the Museum’s collection, supplemented with major national and international loans—the exhibition demonstrates the type of groundbreaking show that can result when the Museum mines its vast collection and curatorial resources to present modern and contemporary art within a deep historical context.
Located on the 3rd and 4th floors, at Madison Avenue and 75th Street, this exhibition is undoubtedly one of the finest museum show I’ve seen so far this year. Other programs featured as part of the inaugural season of The Met Breuer include the largest exhibition to date dedicated to Indian modernist Nasreen Mohamedi; and a month-long performance installation, by Resident Artist Vijay Iyer. Upcoming exhibitions include a presentation of Diane Arbus’s rarely seen early photographic works (July 12-November 27, 2016), and the first museum retrospective dedicated to Kerry James Marshall (October 25, 2016-January 30, 2017).
“Unfinished is a cornerstone of The Met Breuer’s inaugural program and a great example of the Met’s approach to presenting the art of today. Stretching across history and geography, the exhibition is the result of a cross-departmental collaboration, drawing on the expertise of the Met’s outstanding faculty of curators. We hope the exhibition will inspire audiences to reconsider the artistic process as they connect to experiences shared by artists over centuries.” Thomas P. Campbell, Director and CEO of the Metropolitan Museum.
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Tête-à-Tête with Design Talent, Darrin Varden
New York-based interior designer Darrin Varden loves getting people together by designing spaces that are warm, rich with colors, undeniably sensual, and filled with metaphors and symbolism. With all his skills, his passion for design, and inventive vision, it was of no surprise that he was invited by The New Times and world-renowned luxury porcelain brand Lladró to fashioned an elegant dining pavilion with an opulent residential feel for DIFFA’s Dining by Design. High End Weekly™ recently met with the designer who is not only one of NY’s top design talent, but a charming gentleman as well.
High End Weekly™: You were invited by the NYT and Lladrò, the handmade porcelain company from Spain to design a table at DIFFA this year. How did you approach that project? And was the process similar to some of your residential projects?
Darrin Varden: My residential work is often inspired by and anchored with large-scaled fine art. I was putting a Claire Sherman painting in a home I’m working on and had just been looking at her work when I got the call for DIFFA. The painting I used as the jumping off point for this scene was her “Diagonal Tree” which put me in the mindset of the charitable component of the occasion, Design Industries’ Foundation Fighting AIDS. I saw these gorgeous, broken, fallen redwoods, once so strong, ravaged yet still beautiful, still imposing in their beauty, paralleling the destruction of AIDS on the landscape of humanity. The beauty of the memory of those we lost is juxtaposed against trees that are still standing, those for whom HIV is no longer a death sentence. It was perfect.
Once D.C. Moore Gallery said we could borrow the piece, I started thinking about a modern, organic look, similar to what Lladro is doing in some of their sculpture lines. And I got this little click in my head about The New York Times, our host, that old saw about ‘Black and white and re(a)d all over,’ and that became my color scheme.
I was so lucky with collaborating on custom chairs from Artistic Frame, which specializes in custom and made-to-order furniture. They partnered with me to create an elegant ebonized strié styled finish that just complements that painting. Everyone was so generous – we got custom upholstery fabric for the chairs in a deep red velvet by Stark. A wool sateen by Stark worked really well on custom benches of our own design, fabricated by Peruvian Touch custom workroom. The entire tableau is finished in a glistening frame, painted in Benjamin Moore’s aptly named Dinner Party red. We couldn’t believe that was the name of the color!
” Design is all about the people who will inhabit the spaces, not about the things in the space. It is about how people relate to one another within the space – especially a dining room”. Interior designer Darrin Varden
HEW: The stallion sculptures from your table design were graceful, yet very strong. Would you say that this description is synonymous with your design aesthetic?
Darrin Varden: Yes, in my work I very intentionally honor the masculine and feminine in everything. Those wild horses are like that – though graceful they’re also fierce and muscular. I love how Lladro used the matte finish on the porcelain, it has just the same level of gloss as a horse’s coat, smooth but not pristine. Those juxtapositions are what makes art.
HEW: I remembered your past projects, especially the one you did a few years ago at The Holiday House. Looking at your work, I see this fabric of togetherness which tells me that you like to bring people together. Is that right?
Darrin Varden: Design is all about the people who will inhabit the spaces, not about the things in the space. It is about how people relate to one another within the space – especially a dining room. You want to give people unexpected touches, a reason to come present to the moment and to each other. Great design, and the use of fine art within a design, can do that. It’s pretty exciting. At the same time, you want them to feel comfortable. I tend to call my living spaces lounges rather than living rooms for that reason.
We often talk about ‘table-scapes’ in doing these events, but to your point about togetherness, I wanted to have an actual table-scape, with multiple levels and dimensions and a horizon line and a focal point that draws the guest out beyond the space and into their own imagination, which also creates conversational ice-breakers,” said Varden. That focal point, the large painting that centers the room, is given additional notice through the use of the backless custom benches, and by flanking it with two chandeliers rather than using one large chandelier in the center. This up-and-down table-scape keeps the eye moving through the design, and I also worked closely with floral designer Shula Weiner of Flowers by Special Arrangement to achieve his vision for a rich, tonal mix of deep wine and berry hues in various textures, a sumptuous field for the graceful black porcelain horses.
“When it comes to personal travel, I’m not a beachgoer or a sun worshipper. I’d rather go where there are museums or architectural or design oriented things I want to explore, like Barcelona with all that Gaudi”. Darrin Varden
HEW: How important is art to you, and your clients? Do you advised them on their art choice?
Darrin Varden: There are clients that I do advise but others are already collectors. In fact as my practice grows I’ve found that art collectors gravitate toward my interiors and become clients for that very reason. I sometimes go in to an initial meeting with Benjamin Moore fan deck and pull colors from their favorite art pieces to create the color scheme.
HEW: What do you love about design, why do you find it exciting?
Darrin Varden: Well you know, Vyna, “Changing the world one room at a time!” Seriously I do actually believe that transforming where a person lives and how they live can contribute to the transformation of people’s lives, at least in some ways.
For me the really energizing thing about design is that it’s always evolving. So as a designer I have to evolve with it, and to me, that evolution and growth is the purpose of living.
HEW: What inspires you during your travels? Tell us about some of your favorite places to visit.
Darrin Varden: When it comes to personal travel, I’m not a beachgoer or a sun worshipper. I’d rather go where there are museums or architectural or design oriented things I want to explore, like Barcelona with all that Gaudi. I’m also a foodie so I like to go where I can dine adventurously. I love Greece, the ancient-ness of Athens and the Acropolis and the Parthenon, Delos with those mosaics from antiquity that I would totally put in a home today juxtaposed with a piece of mid-century furniture, that truly timeless aspect of design. And I love to see any place with great modernist and newer iconic buildings. That’s also why I love living in New York – I’m that design geek always looking up. When it comes to cities, I think a great benchmark for the future is Vancouver, a growing city, civically mindful in its growth and with a forward-thinking architectural and design point of view.
Photo credit: Alan Barry Photography. All rights reserved
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Art Fairs & Stylish Guests
NY ART FAIRS AND STYLISH GUESTS
Text and photos by Rose Hartman
With over 200 galleries, The Armory Show was the place to be!!! Pier 92 and 94 attracted a record crowd of art aficionados. At Pier 94, one could discover the newest of the new with a new African art section.
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Friday’s Art Muse: Amanda Parer
THE ANIMAL INSTINCT
This week, Australian artist Amanda Parer announced the launch of her North American tour of Intrude, the highly acclaimed public art installation that features monumental rabbits, each sewn in nylon, inflated and internally lit. Fascinating.
From March – June 2016, the giant rabbits will travel throughout North America, making stops in Washington D.C., San Francisco, Toronto, New York, Houston, Los Angeles, Denver and Memphis. (See schedule below.)
One of the most celebrated and widely viewed pieces of light sculpture ever created, Intrude, which was a prominent work in the 2014 Vivid Festival in Sydney, has brought a joyful spirit to more than 19 major cities throughout the world, including London, Perth, Paris and Boston. The visual humor evoked by the enormous rabbits lures audiences into the artwork to reveal a more serious environmental message.
For artist Amanda Parer, rabbits are an animal of contradiction.
While they often connote a furry innocence, rabbits are considered an invasive pest in the artist’s native Australia, where they have caused a great imbalance to the country’s natural and delicately balanced ecosystems since they were first introduced by white settlers in 1788. Through Intrude, Parer hopes to move people to thoughtfully consider how humans can change and dominate the environment.
Tour schedule is as follows: TORONTO: Monday, March 14 – Wednesday, March 23
Brookfield Place Toronto (181 Bay Street). SAN FRANCISCO: Monday, April 4 – Monday, April 25
Joseph L. Alioto Performing Arts Piazza, located in the heart of San Francisco’s Civic Center. NEW YORK: Sunday, April 17 – Saturday, April 30. Monday – Saturday, 12 -9 p.m. Sunday, 12 – 7 p.m. Brookfield Place (230 Vesey Street). HOUSTON: Monday, May 9 – Saturday, May 14. 1600 Smith Street. LOS ANGELES: Sunday, June 5 – Saturday, June 11. Installation spans three Brookfield properties: Bank of America Plaza (333 South Hope Street) and Wells Fargo Center (330 South Hope Street) on Bunker Hill; and FIGat7th (735 South Figueroa Street) in Downtown LA. DENVER: Two weekends: June 17, 18, 19 and 24, 25, 26
1801 California Street. Republic Plaza (370 17th Street). -
Do women run the world?
Why are these women chosen in honor of International Women’s Day? I think it’s worth noting that they were so many other influential leading ladies that I thought of, but time simply didn’t allow. Tennis superstar, Steffi Graff is instrumental, not only because of her endurance, grace, and skills, but she was the first tennis star that got me interested in the game. When I first watched her, I simply couldn’t believe how focus, and graceful she was on the tennis court. Jane Austen, Andree Putman, Bette Davis, Jessye Norman? These women, and the others embodies the longterm fruitage of hard work, endurance, and dedication. I salute them all. #OneDayIWill.
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Friday’s Art Muse: Kehinde Wiley
Kehinde Wiley: A NEW REPUBLIC is now at the Seattle Art Museum. The exhibit showcases the powerful and poignant work of one of America’s leading contemporary artists. Composed of approximately 60 works—including paintings, sculptures, videos, and stained glass windows—the exhibition provides an overview of Wiley’s prolific 14-year career, prominently featuring his signature figurative canvases of black men in which he ingeniously reworks the grand portraiture traditions of Western culture. During a residency at the Studio Museum in Harlem in the early 2000s, Wiley found inspiration in the assertive and self-empowered young men of the neighborhood. He engaged subjects for portraits, asking them to pick a pose and dress themselves as they would like to be seen. Wiley then recast these photographic studies in the style of traditional history painting. Like the mashup or remix in hip hop, Wiley combined details from diverse sources—aristocratic portraits of 18th-century Europe, bucolic 19th-century wallpapers, electric contemporary colors, and the presence of his contemporary subjects—to present something provocatively new. This process allows him to reenter the established history and power structure, reaching back in time to imagine a different future – a new republic.
Kehinde Wiley shows the artist’s progression as he began to work in various mediums and deepened his explorations of race, gender, sexual innuendo, and the politics of representation. The exhibition includes a selection from Wiley’s ongoing World Stage project, which he initiated in 2006 by establishing a satellite studio in Beijing followed by cities in other countries including Nigeria, Brazil, India, Israel, Jamaica, and Haiti. The series touches on the commonalities found across nations and cultures with a history of colonialism and diverse populations.
“Kehinde Wiley’s work is absolutely gorgeous and fascinating. Moreover, it engages with timely issues in a very compelling way. The Brooklyn Museum has been a wonderful partner in organizing this exhibition, and I’m thrilled to bring these vibrant and necessary works to Seattle. Prepare to be wowed.” Kimerly Rorschach, SAM’s Illsley Ball Nordstrom Director and CEO.
Kehinde Wiley: A New Repblic is at the Simonyi Special Galleries at The Seattle Art Museum from February 11 – MAY 8 2016.
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The Dawn of a New Architecture
The Museum of Modern Art announces A Japanese Constellation: Toyo Ito, SANAA, and Beyond, an exhibition focused on the work of architects and designers orbiting Pritzker Prize winners Toyo Ito and SANAA, on view from March 13 to July 4, 2016.
Providing an overview of Ito’s career and his influence as a mentor to a new generation of Japanese architects, the exhibition offers a retrospective of recent works by three generations of internationally acclaimed designers, including Kazuyo Sejima, Ryue Nishizawa, Sou Fujimoto, Akihisa Hirata, and Junya Ishigami. Displaying models, drawings, and images of more than 40 architectural designs, the exhibition highlights the renewed prominence and innovation of contemporary architecture from Japan since the 1990s.
As many of the featured architects have been involved in the reconstruction of Japan after the 2011 Great East Japan Earthquake, the exhibition will also reflect how the architecture field is responding to current societal change with a combination of strong aesthetic positions and a commitment to users’ emotional needs.
Given the experimental and avant-garde character of these architects’ work, the exhibition will confront the current role of architecture in a context in which mainstream practices are increasingly constrained by economic, legal, and functional considerations.